Pinterest 19th century portrait of Martin Luther Virtually all notated repertories before the Reformation came from Catholic Europe and the church continued to produce many of the great glories of Renaissance music during the first century of reformation. Even William Byrdarguably the greatest English composer of the age, wrote significant pieces for the Catholic liturgy. From Monteverdi to Vivaldi, some of the greatest church music of the early modern era came from the Catholic side.
Allegedly the last words of Pliny the Elder before he left the docks at Pompeii to rescue people from the eruption of Vesuvius in Often quoted as audaces fortuna iuvat.
Also worded as audiatur et altera pars "let the other side be heard too". Refers to the ethical goal of reaching a virtuous middle ground between two sinful extremes.
The golden mean concept is common to many philosophers, chiefly Aristotle.
Later quoted by Seneca as "quod non mortalia pectora coges, auri sacra fames": Indicates that one is in a dangerous situation where both holding on and letting go could be deadly.
A modern version is "To have a tiger by the tail. It is less well-known than the Northern Lights, or aurorea borealis. The Aurora Australis is also the name of an Antarctic icebreaker ship.
More generally, "all or nothing". Adopted by Cesare Borgia as a personal motto. A former motto of Chilepost tenebras lux ultimately replaced by Por la Razon o la Fuerza Spanish ' by reason or by force '. Aut viam inveniam aut faciam "I will find a way, or I will make one".Catholic Funeral Mass This is a traditional Catholic funeral mass order of service that may be used for a Catholic funeral service.
The main titles are consistant but the actual italicized information beneath them will vary from mass to mass, depending on the selections of the family and clergy.
The great cultural and religious schism of the 16th century democratised music and participation, creating the template for modern classical music. Johann Sebastian Bach was born in Eisenach, the capital of the duchy of Saxe-Eisenach, in present-day Germany, on 21 March O.S.
(31 March N.S.).He was the son of Johann Ambrosius Bach, the director of the town musicians, and Maria Elisabeth Lämmerhirt. He was the eighth and youngest child of Johann Ambrosius, who likely taught him violin and basic music theory.
Bach was so enamored with his teacher, he stretched the visit to two months. When he returned to his church, he was severely criticized for breach of contract and, in the ensuing weeks, for his.
(Redirected from Template:Church cantatas, motets and oratorios by BWV number.
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